Shaw Living: Branding Soft Floor Coverings
Shaw Industries continues to build Shaw Living as the US leader in rugs for the home.
TW Special Report
When Shaw Living was established, Meadows said the target for mass-market sales would reach 70 percent of the division's revenue, and by mid-2004, he updated his projection to say mass-market sales would be above 50 percent by next year.
John McLeod joined Shaw Living in August 2004 as vice president of sales and marketing, with responsibility for the mass-merchant distribution channel. Industry observers have commented that his appointment signaled Shaw Living's reinforced attention to the home textiles and mass-market channels.
Shaw Living offers a variety of carpet designs that appeal to a broad range of consumers.
Building a brand portfolio with names such as Kathy Ireland, Mary-Kate & Ashley, Jack Nicklaus, Phillip Crowe and William E. Poole, Shaw Living offers a breadth of rug designs that appeal to a broad cross section of consumers. Kathy Ireland's collection is described as offering value and being family-friendly, durable and fresh. Within her collection, lines such as Young Attitudes extend design solutions for youth and family.
The trendy Mary-Kate & Ashley line is directed to young women. Designs are characterized as "funky florals, bold geometrics and stunning motifs" in vivid colors.
Golf legend Jack Nicklaus' line features 23 designs in high-end wool and a "dedication to traditional excellence and perfection." Eighteenth-century Persian- and European-inspired designs offer a look of timeless antique quality. Nicklaus also has established home accent and furniture designs with Drexel Heritage.
The work of wildlife artist Phillip Crowe inspired a line that realistically illustrates popular outdoor subjects. "Ducks flying above a foggy marsh, retrievers awaiting their master's call, and a deer running through snow-covered fields" are descriptions from Crowe's promotional material. In addition, the Phillip Crowe-Estate collection reflects other outdoor activity. Images inspired by Native American art and European hunting scenes round out a collection marked by names such as English Estate, Kennett Square and Foxglove.
A home designer with a Southern flair, William E. Poole is creator of New Classics, a line said to reflect Poole's "classic style that brings stately elegance to any era and any setting." The line features patterns with location names (such as Essex, Richmond and Williamsburg), and reflects design that blends "culture past and present" with an ever-present sense of home.
Regardless of one's design sense, it isn't difficult to see that the collections, taken as a whole and extended even further with an array of other Shaw Living offerings, present a range of products for the consumer that spans masculine to feminine, young to old, country to urban, and classic to contemporary tastes. Shaw Living's branding strategy establishes quick preference opportunities through the star value of the designers, as well as through solid product execution for delivery through independent outlets and mass-market multi-store chains.
From a technology standpoint, Shaw appears to be adding woven rug capacity and has a continued focus on high-quality products made with increased manufacturing productivity. Flexibility, from design to execution; and the ability to handle color, texture and cut loop are just part of the picture. One industry expert noted that today's jacquard technology has been a great success, particularly in that it makes the end product look more and more handmade.
With estimated sales of $300 million by the end of 2005 versus Shaw Industries' estimated $4 billion total, one would think Shaw Living is of minor interest, but, as an industry executive said, "It's not about the total revenue, it's all about the margins."
Van de Wiele: New Generation In Carpet Weaving
Introduced at ITMA 2003, Belgium-based Van de Wiele's Carpet & Rug eXplorer CRX has drawn the attention of the US floor covering industry. The CRX is a face-to-face carpet weaving system that makes two carpets simultaneously, woven face-to-face, and cuts them apart through the middle.
The new weaving machine is designed for high-production output obtained by high weaving speed and high weaving efficiency. In comparison to the previous generation of face-to-face carpet weaving machines, Van de Wiele estimates the CRX has increased production by 15 to 20 percent.
The CRX is equipped with an air-cushioned rapier guiding system. According to the company, the conjugated cams, which drive the rapier, knife and reed motions, are optimized to allow more stable operation. The beam let-off on the CRX is of the continuous type, permanently adapting the rotational speed of the beams to the quantity of yarn that remains on the beams.
A user-friendly Human Machine Interface (HMI) features a touch screen with graphical menus to control the weaving machine.
The pile yarns are controlled by a new-generation MJ electronic jacquard machine that has a compact selector with a reliable and full electronic selection principle that uses no springs, levers or pivots. Power is supplied to the solenoids by current drive technology, ensuring solenoid selection at all temperatures and reducing heat generation in the jacquard.
A further Van de Wiele development is a new type of harness spring. The springs are covered to protect against infiltrating dust. According to the company, this makes them very suitable for weaving woolen pile yarns. The advantages, compared to using lingos for the harness return, are higher speeds and a smoother-running machine.
Van de Wiele’s Carpet & Rug eXplorer CRX face-to-face carpet-weaving system
The CRX82 is a double-rapier carpet-weaving machine that enables weaving of double- and single-rapier weave structures.
The CRX82 also is equipped with an electronic jacquard machine featuring MJ technology. One CRX82-420 can have a jacquard capacity with up to 24,192 solenoids, enabling weaving of new qualities such as reed 700, 8 colors; and reed 500, 10 colors.
The CRX83 three-rapier carpet-weaving machine is the most flexible, according to the company. It has the ability to weave triple-, double- and single-rapier weave structures. With a triple-rapier weave structure, the CRX83 enables 50 percent more production than the old three-shot double-rapier weave structure.
Van de Wiele also reports that demand from the carpet market has propelled industrial carpet weavers to offer a broad range of qualities. The carpet woven on the three-rapier Universal Cut and Loop UCL83, with a weaving width of up to 4.20 meters, can have simultaneously cut pile, short loops, long loops and flat weave effects. The carpet is woven according to the face-to-face technique. The top and bottom rapiers insert the fillings for the ground structures of the carpet. The middle rapier inserts "dummy" fillings in between lancets to hold the loops. These dummy fillings are automatically removed again from the carpet during the weaving process.
According to Van de Wiele, the production output on the Universal Cut and Loop UCL83 reaches up to six times the production output of a conventional Wilton wire weaving machine. The UCL83 also is extremely flexible, because at each pile selection point, the designer may choose between cut, loop and flat weave. On the other hand, typical one-, two- and three-shot structures are possible. The UCL83 can even weave sisal-look carpets with or without cut pile.
Van de Wiele's new Master in Axminster MAX63 Axminster weaving machine accommodates numerous designs in up to 16 colors. This robust machine and electronic jacquard offer the flexibility to produce multicolor carpets without incorporated pile. The Master in Axminster MAX63 is not only suited to the contract market, but also can be used for such applications as carpets with thicker yarns and high pile height.